Michael (Mickey) Hickey

[…]ng in onto er...Bob Allen: Just before we do that, do you remember any of the actual titles of the movies that you saw at that particular time or the actors, actresses and so on?Mickey Hickey: Oh yes, I saw old Valentino in 'The Sheik'Bob Allen: Ah hmm.Mickey Hickey: And there is another very great […]

John Brabourne (Knatchbull)

[…]re's called How to black with still Granger, and entity steel, and Barbara Russia is all about managing Tiger in India. And we had a wonderful Indian actor they call is Joe ha, already made his name. And he was a lot of Western films after that he never been in anything other than Indian pictures. B[…]

Edward Aneurin Williams

[…] taught me that. The second bit of my university was the corridor was at dinner when I came back. It's extraordinary mixture of trades and people and actors of coders of denim were absolutely astonishing. You walked up and down at lunchtime or anytime they were crowded with people dressed in the cos[…]

Joe Mendoza

[…]with France. We were going to make government films about the war ethic with France. And we started making we did the first one they made was called factory front, which was shot half in France, half in England about you know, war factors and things. JACK was cutting the English version of it and al[…]

Francis Gysin

[…]nbsp;worker and war front which was designed to sort of link people working in factories in this country with what was going on outside and overseas that was su[…]

John Dark

[…]remember very well director just had to look at the sketch you know. That's right. Very carefully drawn. He had to take it back to there and tell the actors what to do. Yeah. Yeah. Very limited. I always used to say to Charlie Why didn't you let write direct the film I could never understand that. S[…]

Fred Tomlin

[…]as a Spy. It was directed by Victor Saville and had Conrad Veidt, Madeleine Carroll, people like that in it. And what's that fellow with one leg, the actor? [NB Herbert Marshall] Well anyway... and enormous crowd scenes, we had to go down to the exteriors, they built a great big set, a Belgian town,[…]

Denis Forman

[…]ences. One was a non-theatrical audience the COI had built up a numberof mobile vans and also static projectors which showed films in village halls, factory canteens andplaces like that, the figures I can't give you but they are there and they are substantial. Some filmswere made for theatrical rele[…]
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