John Aldred

[…] to mind the following rhyme which was going around at that time, it was called the assistant director's lament: What shall I do, What shall I do, An Actor has missed the train, The Crowd's got lost, In Love I'm crossed and we're working late again.Peter Musgrave: Shepperton was about a mile and a h[…]

Norman Fisher

[…]teresting indeed.Norman Fisher: No we ... After the war we did quite a lot of Conservative Party films, mostly shot at Brighton Studios in fact, with actors and the rest of it.Roy Fowler: Well we'll come to that. It's interesting the political connection between Movietone and the Conservative Party.[…]

Charles Potter

[…] as we broadly say, he made representations and we came to a compromise, remember, on rates and pain and everything else, but it was all pretty satisfactory. Bonafant's strength, of course, was in some ways, he was also very helpful to the Erwin wasn't me. He was very good at events for the young pe[…]

Keith Ewart

[…]ect comparison, yes. And then just take the 1100 to 1500 pounds each that I got for mine, and that was even after color, and multiply it by whatever factor you need between 1962 three and 1989 and I wonder if you'll come to the figure, it'll be an interesting thing to do. I agreeRoy Fowler  16:[…]

Alan Izod

[…]ibal class destroyer, as you were in a shipyard in in, in Scotland. And it was that one  it was a sort of semi feature film. It had professional actors. The leading lady spot was played by Diana Sheridan who is still very, very active today on television. I don't remember a great deal about tha[…]

John Shearman

[…] don't mean the Walt Disney Studios either. When I say world caliber, it is, it is quite different from that. And of course, works on much less of a factory system than the Walt Disney Studios. So now I have great admiration for the for the work of Alice and bachelor, and it does depend on two indiv[…]
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