Robin Walsh

[…]hat you had a government at the time, which was totally impotent, totally, under Marilyn Reese.Unknown Speaker  35:31  One of the big plus factors in driving their strike.Unknown Speaker  35:38  It occurs to meUnknown Speaker  35:40  were the words of the official spoke[…]

Ronald Grant

[…] of everything that you might want to pour or it was all completely different. If you wanted things the chemist had them now everything's made up in factories, and they only have a limited supply of stuff. ItMike Dick  34:12  talking about cinema going and Banksy Did you did you ever go in[…]

Roger Davis

[…]rchard at the back. With the help of the farmer opposite. We put up this tower, he bought all sorts of government surplus, because you couldn't buy tractors in those days. So he bought things like old Bren gun carriers, cut the armour plating off and sold them to local farmers, distractors. And he b[…]

John Daly

[…] that was I think I thought I'll pop up into the gallery and see what it's like in the gallery. And I started chatting to this guy and the light into actors as he's another guy who was really helpful. And his name was Rob Bradley. And I didn't really know what he did to be honest. And then when I st[…]

Tim Emblem - England

[…]rojected in a cinema. A film print which may look absolutely fine in the cinema in the dark would still require some additional adjustments for satisfactory reproduction on television, not least because in the cinema you’re in the dark so your concentration is on what’s on the screen and your eyes a[…]

Peter Lamont

[…]already gone back to Pinewood, I was still with Carmen and we did Hotel Sahara in Monte Carlo and David Thomlinson and what’s his name, the actor who played the first Poirot. Who played the first Poirot? Peter Ustinov, and he was there and I can’t tell you it was an amazing [unintelli[…]

Paul Collard

[…]es were not needing to be formed within the process they were simply…. it was dye destruction. Getting on to dyes, because dyes were a big important factor in the development of colour film. The advantages of the tri-pack were obvious it got away from three-strip and everything else but the Technico[…]

Sandy Ross

[…]verything. But the person I probably learned most from at the beginning was a Presenter called Tony Wilson and Tony was the guy who went on to found Factory Records and Joy Division and Haçienda and all the rest of it and he was the most televisual, savvy person I think I ever worked with. He was ju[…]

Louise Willcox

[…]erating is the first one I was trained to do that for two weeks. And then thereafter I was flying solo doing that. So being the hands and feet of the actors whilst they're walking around with their scripts. In between that I would do things like slapping radio mics on a pebble Miller one and any pro[…]
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