Search Results for: Actor

[…]ntary and, and features department and then eventually he moved on to, to drama. And because he was a Canadian, he was very experienced. He'd been an actor. He was a very intelligent man. He's very unsung person in television, in my opinion, because I think he'd done some extraordinarily things. So […]

[…] I mean, our newscasters were, in effect, writing their ownstuff. Whereas with the BBC they read, the newscasters, people like Ken Campbell(?) were exactors. We had journalists as newscasters who actually wrote their own stuff. It was submitted tothe Chief of Sound and the Programme Producer before […]

[…]minutes, and they said, It's major. The age can't do it. So then Monroe got hold of everybody on the station, all the stage hands, obviously, all the actors and actresses are in the play, all the technicians that were around, all the gray coats and brown coats, everybody. And if anybody was in the o[…]

[…] the radio department and the record department.War was over. The war was over. Yeah. Right. Yeah. I liked it. Because I was losing a lot of a lot of actors. Because they had this policy then that they could go off and have minutes notice for an audition. Yeah. Yeah. And they could, you know, do. If[…]

[…]our music up in the auditorium. And then while they seem changed at the back, and then we go over to the back, and two shows were always done without actors, because again, although it was much bigger affairs and the previous thing above, particularly it had His height Gordon Craig always used to ta[…]

[…]a and had all the professional elements in it, even to tracking and crane shots and I mean it was very, very high class. And the trick is to havegood actors in it, don’t just use the people in the club, you see. And so therefore, the answer is yes and no to you. What the clubs don’t do is they don’t[…]

[…]nk was I film for Glover and Main the, at that time, we were the only people in I think in the country, made gas meters. So we went to a very smelly factory in Edmonton, where leather  bellows were made. And we there was my first introduction to industry, I think, I wasn't really impressed with[…]

[…] day he was there as his secretary. And he said, I didn't know I think could be good material in the cutting rooms. And I thought that sounds like a factory job, but I don't care. I hadn't a clue. And I hadn't seen many films. Because we did. We had just started to go to film, my friends and I, at t[…]

[…]ommercial director Dom McPherson; working with Sydney Pollack on Out of Africa and lighting Robert Redford; myths surrounding flattering lighting for actors; Mahogany and lighting Diana Ross’s skin tone; DW was told that Ross always requires a pink filter in her key light and Billy Dee Williams a pu[…]