[…]didn’t call our first interview the first one, with David Francis, this is our second interview with archivists from the National Film and Television Archive in the UK.The copyright in this recording is vested in the British Entertainment History Project and the name of the interviewee is Clyde Jeav[…]
[…] second interview with archivists from the National Film and Television Archive in the UK . The copyright in this recording […]
[…]ship with The NFA as it was at that time, but relations weren’t great between Ernest Lindgren, Curator of the NFA – MW: That’s the National Film Archive. RS: That’s the National Film Archive.- and my ultimate bosses, the Director and Deputy Director at the IWM. So we ended up going it alon[…]
[…]r hope, or expression, or creativity in the file at all almost everything is conducted on the telephone. And I have talked to the BBC’s written archive centre at Caversham and they are even now lamenting the quality of the written material, which is the only stuff with which they can deal. Now[…]
[…]tes … as long as I guaranteed they would be restored in proper sequence when the print was returned to them. Given my time with the Films of Scotland archive this operation was a dawdle. The editing committee, Ted and I, had no problems over including the cash desk sequence, the unusual interval sal[…]
Tim Emblem-English (TE) Archive Telecine Specialist, Former BBC Broadcast Engineer Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) Date 21/05/2018 Length 01:48:52 CR: So we’re here with an interview today with Tim Emblem-English. Thank you very much for agreeing to[…]
[…]o see you Anne and what we'd like to do is start right at the very beginning. We'd like to talk right through your life and your work in the world of archives and other things in film.AF: Okay.MW: But let's start at the very beginning: where abouts were you born? AF: I was born on a farm called[…]
[…] now? Rodney Giesler: They've all gone to the National Film Archive. All the old films. As to the library. I […]
[…]ect. He was rather cautious about it because he thought it was basically trying to make a film with other peoples’ rushes, it was other peoples’ archive material that you were using, rather than his own that he’d generated himself, so he was a bit cautious about it, but we got on very well toge[…]
