[…]script [Interviewer is Janet McBain, Date of Recording 15 07 2018, Observing and occasionally contributing is ex colleague Robert Scott] [Start of Recording] [00:00]R: I expect once we get started you'll have trouble getting me to stop so just tell me, "Stop!" I: That's fine!&nbs[…]
[…]about your family and how you came to be in the film industry?Right. My family consisted of a father who was in the engineering business, who would started making his own films and when he was young man just after the the First World War. So we have a very unusual 16 millimetre stuff. And I became v[…]
[…]d we're back to and the interviewee is Dennis Kimberly. codec executive and then some considerable activity in the industry generally. So if we may start at the very beginning Dennis when and where you were born,Dennis Kimbley 0:31 I was born in de oro queens present which is not that fa[…]
[…]there were three young lads left. These three young lads all ended up in the studios across the road in three different completely three different departments. The eldest son was uncle Liz, who went into the laboratories. Were at the back of the studios,Alan Lawson 2:42 but in the Smiths[…]
[…] 48, something like that, to 51Norman Swallow: I’ve got 47 to 51Lindsay Anderson: It might have been 47. The earliest numbers of Sequence were not a particularly notable, it did start as the Oxford University Film Society magazine. It is very interesting in a way because, as I wrote in this introduc[…]
[…] guidance of Julian Huxley, and Professor Hewer of Imperial College. Those were the days of Mary Field's Secrets of Life and Secrets of Nature. But apart from these theatrical films, films for general release, they were making a great number of school films, teaching films of all kinds. And they had[…]
Roy Parkinson: BECTU Interview Part 1The copyright of this recording and transcript is vested in the BECTU History Project. Roy Parkinson was interviewed by Sid Cole in 1987.1. On his father H.B. ParkinsonRP: I was born in Surbiton, 22nd January 1916, and my father at that time was a cinema manager.[…]
[…] were theatre based and writing for television hadn’t become the art it did later. And poor Michael Barry who ran […]
[…] Mazzetti had been a student at the Royal College of Art I think, and the Slade, and she had made […]
