Gordon McCallum

[…] I enjoyed the association with other people. I mean the art</mark></mark> people that I knew well, the special effects people […]

John Shirley

[…]there were three young lads left. These three young lads all ended up in the studios across the road in three different completely three different depart</mark></</mark>mark>ments. The eldest son was uncle Liz, who went into the laboratories. Were at the back of the studios,Alan Lawson  2:42  but in the Smiths[…]

Cynthia Moody

[…]bove]                2: Yes, well the number is 176. Right, you can start</mark></</mark>mark> interviewing now.                     &nb[…]

Charles Cooper

[…] in 1950 he set up Contemporary Films, distributing political and art</mark></mark> house films, initially in conjunction with George Hoellering at […]

David Elstein

[…]T INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Mart</mark></</mark>mark>in Spence  INTERVIEW SUMMARY   00.00 –              […]

Diane Tammes

[…]we have on the database is awards and honours and things like that. Have you had any [inaudible]?Well, I’m a Fellow of the Royal College of Art</mark></</mark>mark>, and, I’ve got a BAFTA.For?A Channel 4 film Cutting Edge: Casualties.Ah, OK. And your parents did what? It’s sort of relevant.[laughs] M[…]

John Schlesinger

[…]mber about those years most was, because it was in the papers and in the magazines there was a very great deal about Hitler and the rise of the Nazi Part</mark></</mark>mark>y. And the interest in that was extraordinary, I as a young Jewish kid felt quite persecuted at school. They would institute things like let's chas[…]
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