[…]ng 816 Marjorie Graham, recorded on the 12th of December 2020. Free. Right, Margie, a little bit of your family background. First of all, before we start</mark></</mark>mark>Speaker 2 0:20 family background well I was born in London in North London in 92, as you said, and I was about four and a half when the[…]
[…]36, in Thornton Heath, I think it was.SF: Is that Surrey?It’s sort of south London, yes, on the way to Croydon. It wasn’t necessarily quite so mucha part</mark></</mark>mark> of London as it is now of course. But in fact, the sort of formative years which were really the war years, the bits I remember when I first began[…]
[…]speed flight but B of course I was relatively cheap compared to the experienced people. And my life took off from there because I from a very small start</mark></</mark>mark>. We built quite a big unit at the Bristol aeroplane company which became Bristol aircraft. And then eventually split up and I became the firm's of[…]
[…]e, Alan Lawson Recorded at Denville Hall SIDE 1 (Preamble)SC: Diana, it’s lovely to be interviewing you. As I was saying let’s start</mark></</mark>mark> at the beginning – when and where were you born?DM: I was born in Cathedral Road, Cardiff, May 29th 1908.SC: Ah the same year as me.DM: A good yea[…]
[…]her, and the money that they got from the Minister of Information, and they bought an ambulance and presented to the Russians. Now the film, how it start</mark></</mark>mark>ed off, there was a - you know the people that were in the film, the stars, I expect?Sidney Cole: Yes, well if you can remember any names, because […]
[…] he’d wanted anything changed, it would go through perhaps the Art</mark> Director</mark></mark> or the Cameraman. He didn’t actually criticise you […]
[…] they got on the floor. It was designed by an art</mark> director</mark></mark> anyhow, David Rawnsley. DM: Yes, it’s a name […]
[…] cameraman or you know talk about a lot of the art</mark></mark> and craft of the operator. OSSIE MORRIS Yes. The […]
