[…] I went to school at Berlin. I went to school in two colleges there, which were where we had to learn many languages. Was a very Marvel. School. Most artists were professors and doctors who all insist that you did your job well, and they were very efficient but very tolerant. And I had a very happy […]
[…]n ’45 with his own orchestra, although he came back to ITMA again, and music hall and so on.But as a freelance, presumably?JPH: But all the artists in ITMA went out on the road anyway, because...It would be foolish not to have done, that’s right.JPH: It would be mad not to, yes. […]
[…] half (inches per second) and another one for a follow-up machine for change-overs (on playback). 20:02 MDDo you remember some of the artists you were working with? At that moment in time? IN the early days? BAYeah, in the early days… on the transmissions… the transm[…]
[…]ink we had got, oh, there was one picture where there was, we had a lovely old assistant director called Billy Russell, oh yes, he had been a variety artist, and he became an assistant director at Eiling, and he always wore a hat pushed slightly to the back of his head, and he'd got this North Count[…]
[…] as we are with the greatest standardisation of living, the artist will have a great part to play in bringing […]
[…]atre because that's where they painted the cloths. And then I can remember Percy Cornish was the Scene Master.Mm.And I can remember Jack Hind was the Artist Painter, because there was only one of anybody wasn't there?That's right.And I, was, I think the Property Master was Bill King.That's right.Bec[…]
[…] Master. Mm. And I can remember Jack Hind was the Artist Painter, because there was only one of anybody wasn't […]
[…] What was it like making these?Jill Craigie: I only wrote the scripts. And then suddenly I wanted to make my own film, I wanted to interpret what the artists and the town planners were saying to mass audiences.Interviewer (unidentified): Why did you think that was important?Jill Craigie: Because it […]
[…]ael Balcon talked about the opportunities, the types of jobs. I think they obviously spoke about it overall. Cavalcanti probably spoke more about the artistic side, but I really can’t remember in detail.But they obviously impressed you.Y es.Okay. Was there any showbiz connection in your family at al[…]
[…] picture, have every costume made, every prop made, engage every artist. Of course he’d got Hepburn and O’Toole, but they […]
