BEHP Bulletin no 3 Nov

www.historyproject.org.uk British Entertainment History Project Bulletin 3. November 2020 Dear all, Sorry this Bulletin is later coming out than we […]

billywilliamsbectu-tape4

[…] movies and a few 100 commercials and a lot of documentaries that really what Isee as the cinematographer's role is […]

Anne Fleming

[…]cutting as much as anything.AF: They were. Yes…. the restructurings were mainly about losing jobs. A lot of people lost their jobs, or,  I mean parts of the BFI ceased to exist. The photographic- the ability to make photographic prints within the BFI went in the restructuring of ‘96 ‘97. And pe[…]

Anne Hanford

[…]on but not connected with television at all.  He was very interested in photography. He was quite interested in what you might call the creative arts generally but not particularly television.SUE MALDEN:  When did they get a television? ANNE HANFORD:  Oh, I should think at least […]

Howard Lanning

[…] do. And you know, obviously the, the, the, as you get into film, because it's not being shot in, in continuity. So it's only when you know, it all starts to go together, and you do the voiceovers and everything. Yeah. And very interesting. With seeing with the Lynda la Plante, the first thing that […]
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