Geoff Hermges

[…]p in the war, and I ended up graded down from being an infantry captain in the infantry, and I could not return to my battalion. And so I was which starts my film life. I. The authorities, in their infinite wisdom, decided that they'd find out what knowledge, if anything, I had about anything other […]

Charles Cooper

[…] arguing that cinemas should be centres of entertainment and the arts, providing more than simply a viewing space, and he […]

John Daly

[…]ng production house. And you've got to work on such a variety of programmes everything from current affairs documentaries to drama, comedy, music and arts. So it's great, it's great training ground. And there's an assistant, genuinely you worked with a particular camera man for us of like, couple of[…]

Bobbi Riesel

   This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any mis[…]

Bernard Gribble

[…]ery very busy film. Nothing has changed. We begged and pleaded but the air date is still November the 5th and.SPEAKER: M16In fact on Monday dubbing starts. But music I think was being done or started on an earlier version of a cut.SPEAKER: M4Is being done in Warsaw probably as we speak and more reco[…]

Johnny Speight

[…]was very partisan and the fact that unless you were writing about the noble working class they didn't want to know about it, you couldn't show their warts and all. The noble class at the Unity Theatre had to be presented as noble, noble people, noble people who had been much maligned by these awful […]

Francis Searle

[…], because he was so busy, right in view, what later happened to you? Were there any connections with show business, entertainment, the visual graphic arts, any of those things, theSpeaker 1  1:43  only, the only, the only connection could be that my father was a pretty good artist, painter[…]

Philip Leacock

[…]aid. And everything's fine for the boy - very well played by Johnny Nash, who became a top singer. He was only seventeen at the time. And the story starts at the point where the boy has - he's got a nice group of white friends, and everything's worked fine and they're all very interested in games an[…]

Transcript – Jean Anderson

[…] Ah yes. I have a theory that (particularly with the arts) if you switch from one to the other, it’s […]
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