[…]has tended in many cases to be put in skips-[They talk over one another] 29CJ: That was also in my Kenny appendix, was the right to acquire associated material with the film, including stills, publicity material, and booklets and everything. And scripts, if possible, yes. It was all there.[…]
[…]ll his secretary, really. Or more than that?11Mary Harvey Tape 1 Side AOh no, no, just, just a, well PA really. There was a film on which I got a, an associate producer credit, a film of his about boxing, called No Way Back, with, with Terence De Marney and we had that jolly boxer, Dave Crowley[…]
[…]business, a lot of how to do things, and also a lot of things, how not to do. I mean, it was a funny mixture. But he was a brilliant producer, and an Associate Director radio. But a translator was the first one I made every transplants case, which was wells appeared in the omad, which was quite an e[…]
[…]paid £60 Norman Swallow: I remember it. John Schlesinger: Do you, you can't remember it really. Norman Swallow: It is the first film I associate with your name, late in your career but. John Schlesinger: It got me so to speak with an interview with Cecil McGivern […]
[…] unusual in those days to have American artists over, but it was a big picture for those days. And somehow, rather, I suppose, having been so closely associated, and what's all these things and people coming in and out of the studio over the years, and I'd got the bargain I, I wanted to go into the […]
[…]Unknown Speaker 17:03 especially civil engineering. My luck has fallen that wayUnknown Speaker 17:08 in terms of pictures and associated words, and it does seem to work for an awful lot of peopleUnknown Speaker 17:16 in some way,Unknown Speaker 17:21 i[…]
[…] Was it the first big series that your name was associated with, did it establish your reputation? !ED: Yes it […]
[…]n't forget. So then they set up a Radio subdivision committee and a Television subdivision [committee]. So in the radio one would be studio managers, producers, directors, all of the other… RL: Technical staff? GM: Everybody, yes, or anything that was radio. So there was Radio and Televisi[…]
[…]ike to deal with it separately in a moment. Okay. Glyn Jones 11:02And in the, in the 50s, and 60s, rather and didn't leave any early 70s I associate you with Green Park productions, and Humphrey swingler and the film Producers Guild. Derek Williams 11:18Yes. I was a freelance f[…]
