[…] with his first job as a clapperboy on After Dark(1932) at Associated Sound Film Industries, Wembley. During WWII, Morris served as […]
[…] Light Entertainment specialist, and indeed, hadn't long won the Bafta for a show with Millie [Millicent] Martin, as I recall, as Light Entertainment Producer of the Year when we got it. Anyway, Martin, sorry, Francis wanted control of the programme and wanted to demonstrate his new powers and for s[…]
[…]s quite open-minded so yeah, you put a different hat on when you worked on each different...and, you know, the process was you had a meeting with the Producer/Director. Producer and Director and you discussed (or a planning meeting really) and you discussed the, what the core values of the programme[…]
[…]ularly out of 16 millimetre synched sound and here you could see this wonderful stretch from 16millimetre non-synch which produced the artists’ films associated say with the London Film Maker’s Co-op and the great films of the new American cinema that was really beginning to influence us.10.49: […]
[…] Cortese, and some very good actors. Would I come to Italy? Would I? I was just engaged at the time to Mimi, and er…we talked it over. I met Mimi at ‘Associated British’; she was in the art department there, she was an assistant in the art department, she’d been an art student. Well, we got engaged […]