Search Results for: Associate Producer

[…]. Because they wanted to see for themselves as much as they could of the facts. And then even if they were not particularly numerous, they would meet associates and be able to speak with the conviction of having seen with their own eyes - the things that beforehand they had inferred from newspaper r[…]

[…]about it particularly?Jack Rockett: Well I hadn't thought about it particularly. Thinking about it now I suppose to some extent it did help some film producers.Sidney Cole: Yes.Jack Rockett: You know they wouldn't have had a chance.Sidney Cole: Because predominantly the kind of movies that were show[…]

[…]so many artists. I did Pat McGoohan, The Danger Man, that was Ralph Smart and you.SC: Yes Ralph Smart, I took over from Ralph. But I was sort of associate producer.DM: Well he was very nice then but then I did The Prisoner later and he had gone a little strange.SC: The Prisoner&n[…]

[…] after ‘For Those In Peril’?Well I, For Those In Peril, I did They Came To A City.Yes. I remember that.Yes.Because that was my first job as associate producer for Mick.Yes. Oh yes, I did They Came To A City. I did Bedelia, in fact Bedelia was the last film I did do at E[…]

[…] (Marion Grierson, 1935) The Heart of an Empire (Marion Grierson, producer, 1935) The Key to Scotland (Marion Grierson, 1935) For […]

[…] I suppose to some extent it did help some film producers. Sidney Cole: Yes. Jack Rockett: You know they wouldn't […]