[…]several Fields that were made at Ealing at that time.Jonathan Balcon 40:54 And Stephen Courthauld who was was the majority shareholder at Associated Talking Pictures, which was the holding company at Ealing, had said to Reg Baker, who was the managing director, 'Reg, you know, I've got t[…]
[…] wrote under the explosion and that was very nice. And ’75... Seventy-six I did quite a lot of Softlys as, they are now called a Production Associate.Yes, yes.I’m now called a Production Associate.From ’75 onwards you say, yes?Yes, I was, I was called....Production Associate, you got a cre[…]
[…] lot of Softlys as, they are now called a Production Associate. Yes, yes. I’m now called a Production Associate. From […]
[…]nbsp; “I had no real idea what I’d do at the BBC”. Interview panel: Martin Esslin, major figure in drama & theatre; Hyram Tennyson, distinguished producer; facing me, uncultured, uneducated, knew little about anything, made embarrassing gaffe re Britten / Peter Grimes / Peter Pears (interviewer […]
[…]ea, why don’t we do a series on the history of Northern Ireland?” So that’s the next one that followed, I worked on that with Richard, ended up as an Associate Producer on that series. MW: Was this with Robert Kee? TD: No, that was a rival series, made by Jeremy Isaacs for the BBC. Neither[…]
[…];that apart from sort of general publicity, and you know, radio time and the press and so on initially, what we did was the first day we I mean, I'll associate myself with it from the very beginning, because even though I wasn't working there, I was part of the thinking that helped create it. The th[…]
[…]agic stuff that was going in.John Legard: Who was your editor on that?Rodney Giesler: Tony Gardner. We edited at Anvil out at Beaconsfield. Anvil was associated with Realist and we did all our post production with them.John Legard: Were you pleased with the result? Did it come out well?Rodney Giesle[…]
[…]it went a bit of a slump at this point. We were now in 1949 49. It seems so and I had a friend who was the political, the diplomatic correspondent of Associated Press, which was American and equivalent of writers, one of the writers and AP with the two big agencies. And he said, Well, why don't you […]
[…]d to get some work. And he booked one in the morning, one in the afternoon, 10 agencies, five days. And in the morning I went into C, J, lytles and a producer whose name stubborn. Escapes me, but it'll come back in a moment. One of the old hands, and he looked at the reel, and he was awful, absolute[…]
[…]ely lady. She reminded me very much of Peggy Bacon, whom I'd worked with in radio. And the other thing that I enjoyed doing and feel very proud to be associated was with was working with a man called John Hunter Blair come from BBC, Scotland, to experiment with programmes for schools on television. […]
