[…]hooting background stuff and some action stuff. Because the Italian said they would send another director in. The other director turned out to be the associate producer who was Italian very nice man called back to Add. And but he really didn't have a clue, of course. But he, he tended to agree with […]
[…]more about Wallis.Charles Wilder: Well he didn't used to stay here, he used to come over for the film and then go back, and he always had an American associate with him. And he was a very aloof man, but once he could see that you knew what you were doing then he was a little bit more sociable you kn[…]
[…]ers.Sidney Cole: He was at Warner Brothers, yes, at Teddington...KM:... where I never worked.Sidney Cole: When did you start - you must have got more associated with the Union in those days, had you?Kay Mander: I think I was - yes, I was on the General Council, wasn't I?Sidney Cole: You must have be[…]
[…]es and I was there for some little time and indeed it was edited by a man called Paul Tyres who was extremely young we were all very young, everybody associated with the whole venture was young. And I had the privilege of editing the journal for I think four or five years. And then it was taken over[…]
[…] well with Walter and his wife Culley Forde, who was associate producer. And Walter used to always have a piano on […]
[…] we'll talk about what happened. You went to Sydney as associate producer? Andy Worker: Associate producer, yeah. Roy Fowler: Yeah, which, […]
[…]f the arena titles are sort of seminal titles of the bottle floating tools the the viewer in the waterSpeaker 2 25:10 you do end up being associated with things which become iconic. While actually was the Open University symbol I made it's now digital CGI. But originally it was the the o[…]
[…]ter Hong Kong ferry to Hong Kong a rare ferry to Hong Kong. And that was when I had no now made two pictures with Lewis and then I became his closest associate producer he produced and directed and we made light up the sky together which was with Tommy Steele and Benny Hill and income Michael Dick E[…]
[…]any realist films. Then, even, even then it was called realist films. He sent me across Oxford Street to strand films, where Paul Rosa was one of the producers, and I showed him some of my photographs, and he seemed to like them, and he gave me an unpaid job because he was not allowed to employ me, […]
[…] were the line producers? Andy Worker: Well a fellow called Edwin Passmore[?] did one or two pictures. Ralph Nunn-May did a picture, I became an associate producer. I did 'Badgers Green' the remake of 'Badgers Green'. Roy Fowler: Oh yes, R.C. Sherriff, yeah. Andy Worker: Um, then Sydn[…]
