Search Results for: BBC Producer

[…]ating things like trying to get some measure of agreement on connectors. And, again, the industry didn't want to know In fact, it turned out that the BBC was divided internally almost equally into two halves. One did it one way and one did it the other face of that what's good I would say that the c[…]

[…] to watch ’em. So I always made sure at the BBC, I rang up the publicity people and I always […]

[…] tremendous thrill a few years ago when there was a BBC programme called Scarpa Flow, the history of the naval […]

A little late in the year the BEHP, together with BBC Alumni and BBC Pensioners’ Association celebrated the centenary of […]

[…]film suitable for colour, or is it a black and white film? Really, truthfully it was probably a budget consideration. And there was no doubt, in most producer’s minds, that a movie had to be in colour once it became practical to shoot in colour. I still loved shooting black and white stills, but I d[…]

[…]r by 9 ‘o’ clock, live. DB: Extraordinary. GG: So I got, I did that and then by that time I was at Westminster. There was a time – yes, the BBC were looking for someone to play Richard the Second – as a boy, in a thing called March of the Peasants, and they saw me and they wanted me to do […]

[…]g the films, was, publicity. It seemed to me, there’s no point in making the damn things if nobody’s going to watch ’em. So I always made sure at the BBC, I rang up the publicity people and I always made sure that the press got copies and all that stuff. And, chatted people up and tried to get showi[…]

[…]nd in the, in the 50s, and 60s, rather and didn't leave any early 70s I associate you with Green Park productions, and Humphrey swingler and the film Producers Guild. Derek Williams  11:18Yes. I was a freelance filmmaker for much of my career. Suddenly, a long period after leaving worldwid[…]