[…]er that I went on to Arsenal Murder Mystery with Thorold Dickinson and Desmond Dickinson and John Dennis was the sound recordist and Percy Dayton the boom man. Kelly was the production manager and a chap called Dixon was the assistant director who was larger than life. He was a great wag, I can alwa[…]
[…] I can't remember them and I can't remember who the boom operator was unless it was Reg Margolies who was in […]
[…]ck of the theatre they'd built in the studio. And the next day in rushes don't really actually notice this but the next day rushes it wasn't just the booming shop, it was the boom operator and the whole concert hall mobile console. And it must have been rushed it pushed it at the last moment. So tha[…]
[…]ted using the abbreviations 2-D and 3-D instead. And this catchy abbreviation “3-D” caught on, and was possibly one of the reasons for the subsequent boom in 3-D. The first screening of the 1952 programs was at the Tatler Liverpool, the Tatler News Cinema in Liverpool. That was, I see, on the 1[…]
[…], they had electricians in etc and they took a lot of them over to be on the staff for the sound, because the sound crew then would be the Mixer, the Boom Operator and there would be another man on the stage and he was an ETU man, a Sound Man, and he would take charge of the microphone, put it on th[…]
[…]to do what, where the natural source of light comes from, that is another key point of lighting, and thirdly, where the recordist is going to put the boom. So you create that and then you get somebody like your cameraman coming in and saying Yes, that's fine, but if you move the key light this way t[…]
[…]make it be there, and then you must control it. And you'll find with these photographs here, I'll show you one down at Walton, when Freddie Ryan, the boom-swinger, he came to me one day and I'd just rigged a set which was a street in the snow. Now what I used to do was use a lot of dew arcs, very so[…]
[…]ut the actual camera dollies were getting more sophisticated and no longer did you just have to push the camera in a straight line and the microphone booms were getting more versatile as well and the early ones took two men to operate but these ones at Denham were operated by one person.Peter Musgra[…]
[…] the PR and said, "I'm sorry. We can't do it." Boom boom. He said, "I'll tell you what we" er...Geoffrey[?] […]
[…] show you one down at Walton, when Freddie Ryan, the boom-swinger, he came to me one day and I'd just […]
