[…] in all of Cornelius’s later films, including I Am A Camera (1955), and Next To No Time (1959). Masters worked […]
[…] on your microphone as in your headphones. The fact the camera was slightly different, density versus area. Alan Lawson : […]
[…] have a trial with cameras ’. So we took a camera to Westminster Abbey and put it on the floor […]
[…] as the producer I used to roll myself with a camera up there taking pictures of it and then you'd […]
[…] get to looking up put a bit diffusion on the camera tell you where to look. Tell them what lens […]
[…]went off into doing that sound editing and became quite influential, and worked on lots of the Bond films. So that was one link up there. The Russian camera side of things in those days, was under a guy called Charles Petters. And his his assistant to him was a guy called Graham Oren. And Charles Pe[…]
[…]t in film technology begin? What sparked that interest and how did it develop?AM: Yes. At the age of about 10 I was given a classic Kodak Box Brownie camera by my Aunt Nellie for Christmas and I started taking black and white photographs on that. And it wasn’t very long before I decided that I was i[…]
[…]d outside broadcast because out in the big city suited me fine then. I: I can understand that. R: But it was changed days there, I mean the cameras took ages to line up and whether it was worth bothering lining them up sometimes and you would try it with a test card that was sort of maybe […]
[…]ay, this is a British Entertainment History Project interview with Penny Woolcock. It's the 24th of April 2019. We're at Penny's home in north London.Camera's being operated by Nick Gilbey. Interviewer is Martin Spence. And the interview is copyright of the British Entertainment History Project. So […]