[…]cifically. And then the night we had Laurel and Hardy the entire crew and everybody was giggling to such an extent that they could hardly focus their cameras it was extremely funny. And then suddenly, these two old` men were cowed by these rather tough little wives as they come along, Stan and come […]
[…]ell that's al right. And later on in life he was the same about photography because I wanted to photograph, and I found an extraordinary old Sinclair camera, about 18" by you know... that was all made of mahogany and I used to love this thing and I used to look at it. I didn’t know how to use it, bu[…]
[…]nbsp;mean on the on the crew clothes on the floor the famous for forum for camera for sound for Charlie was very protective of that. He was trying to be&nb[…]
[…]words to that effect! And they wanted an interpreter, a German interpreter - English-German interpreter - for Hans Schneeberger, who was the lighting cameraman on 'Conquest of the Air', (I can't remember who... Yes, that's right,...) and he had a focus puller called Karl Matthews. That's important b[…]
[…]rlie Frend has the director credit.Robert Beatty: I mean Charlie Frend.Roy Fowler: Robert Hamer is listed as associate producer. Ernie Palmer was the cameraman.Robert Beatty: All very pleasant people, everybody was very sweet down at Ealing. It was a real family atmosphere down at Ealing. They ate t[…]
[…] wanted to photograph, and I found an extraordinary old Sinclair camera, about 18" by you know ... that was all […]
[…]It was well - Graham Sarpe and Sidney Rodman - Graham Sarpe did most of the direction - I was sort of supervising it and, and Stanley Rodwell was the cameraman. It was well photographed, it's reasonably well edited, it has a rather conventional sort of commentary on it. Er - but it was a good, strai[…]
