[…]t too involved. I did a lot of interesting programmes. I did a motor a motorboat race, Power Boat race on the Isle of Wight, which smashed up all the cameras because all the valves got black and white cameras, and on a big naval boat crashing across the waves. The Navy said they won't last now, our […]
[…]minute and 1010 seconds escape. And he did all the ducking into hedges and going dumb pedo, Peridot and all this sort of thing, all the way up to the camera. So what I used to do, I used to roll that one minute before the end, the commit the time we had to come out, which is very precise, because ev[…]
[…] I had to join the NUJ! I remember going on strike once (I was never very sure why!) and we weren't supported by the E.T.U. or whatever it was or the cameramen or what became BEC2. It was strange. I'd come from a job where you just did anything! There was no restriction. So that was a shock, a cultu[…]
[…]d to have an understanding of the techniques of production within the studio so that you would design something that would create enough room for the camera and that kind of thing? R: Absolutely. I: So, it was also an understanding of the process? R: Yes, it was. And, I mean, you lear[…]
Peter Mullins BEHP 0707 transcript.Interviewer: Darrol Blake (DB)Interviewee: Peter Mullins (PM)Other crew: Dan Thurley (camera); David Sharp Darrol Blake: So, can we begin by saying who you are, where you were born and when?Peter Mullins: Right. My name is Peter Mullins, I was born in London, […]
[…]at then one person tended to do everything on a film. So if, you would be an assistant editor, you could be an editor, you could have worked with the cameraman, you'd work with the director, you were a gopher, but you were also a gopher with a lot of, really a lot of responsibility. Mary […]
[…]ing and is treating the assistant very very rough. That was fat Colin I can't remember his other name now. You probably know there's no quite eminent camera man. I'll think of him soon. But he was the only one who was totally impervious to Tubby's cutting edge didn't get all there and Ken can he cut[…]
Copyright it is vested in the BECTU History ProjectMonty Berman, lighting cameraman, director and producer. Interviewer Alan Lawson.Recorded on 2 I June 1995.SIDE 1, TAPE 1Alan Lawson: Where and when were you bornMonty Berman: I was born on August 16th, 1913 in WhitechapelAlan Lawson: And schoolingM[…]
