[…] of the system. And I I don't bother about the camera side of it I am. Extraordinary. Dear old Harry […]
[…] the war. I mean one of the most brilliant colour camera man. He then went over to direct. He didn't […]
[…] beginning, believe it or not, well I'd always had a camera, I was always taking pictures and I'd studied American […]
[…] medium: every image which Michael and his colleagues captured, every camera movement, every zoom-in and pull-out, was broadcast to the […]
[…] that date that you keep in your mind for colour becoming a kind of catalogue item. So it is early and I think the graininess is somewhat inherent in camera negative of the time and the lenses, the Cinema… well actually I forget what the actual credit on the film is. The Hammer ones were normal not […]
[…]interestingly enough, I’d applied for it that ticket, ACCT that’s right, as it was in those days. And I got all of the smart people like the lighting cameraman to sign my form and I got rejected immediately of course. The second time I got all the lower people… who was the one union bloke that used […]
[…]last one? Would he would he fail? and this was talked about the whole time. And it was fantastic. At the same time, you had some of the most talented cameramen in the country, particularly the Willard mighty and Ken Morgan, who lit looking Hitler. And they would be, you know, one day working on Liku[…]
[…] same day it was very much like going back to college and David Graham said: ‘You can do what ever job you want to do. Downstairs there are two video cameras; sound’ obviously the editors had to be editors but he said: ‘basically if you think you can produce straight away then I’m interested.’ And I[…]
David Croft Side 1Camera 0:03 Yeah, carry on. When we've done a few questions. I'll just do a check replay check .Darrol Blake 0:09 Oh, yes, please. Good idea. Okay, Yeah. You are rolling? Yeah. Okay. The copyright of this recording is vested in the BECTU […]