INTERVIEW NO. 684 – INTERVIEWEE - PETE MURRAY Date 10th May 2016 INTERVIEWER – MIKE DICKCAMERA DAVID SMITHTranscriber – Linda Hall-Shaw MIKE DICK: The copyright of this recording is vested in the British Entertainment History Project. The name of the interviewee is P[…]
[…]p; Art Dept approaches to different genres: sci-fi/thriller/period costume etc. “Always start from what the camera is going to see”. […]
[…]sp; Q: Even camera equipment00:56:24 JIM WHITTELL: ?? lighting, great competitor to you, or to your brother. […]
[…]ne we would have challenges. Not because they were, not because they weren’t well thought out, not because it was just fly on the wall, let’s throw a camera at it, and... They were thought out, they were researched, we had backup. But they would do incredible things, Channel 4. They would ring up wh[…]
[…] ten minutes. Even more, sometimes.’ I thought, ‘Goodness! I’ve got to learn it like a play – not just little snippets.’ The thing was, they had four cameras, and one camera would sort of take over from the other one as you walked about the set. It was –JR: A bit unnerving, wasn’t it?VM: It was unne[…]
[…]p; Well not, Jack Dooley, the stills man, was always a bit gritty but I don't think he meant to be I just think he felt you know, being a stills camera man in a movie films [LAUGHTER] ... Roy Fowler 29:40 Yeah, it's true the stills man always has been somewhat a disgr[…]
