[…]d they weren’t going to give it to him. No I thought he was doing rather well, in those days. But- DB: So that took you on the other side of the camera. GG: Took me on the other side of the camera. DB: Tell us about that: what did you discover? How different was it?GG: It was extraord[…]
BEHP Interview 0699 transcript Taylor Downing (TD)Interviewer: Murray Weston (MW)Camera: Dan ThurleyOther crew: David Sharp Murray Weston: This is Friday 21st April, 2017 and this is interview number 699, with Taylor Downing and the recording is for the British Entertainment History Project. He[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Martin Spence INTERVIEW SUMMARY 00.00 – […]
[…]ng in, it takes a long time for an artist to be able to work into doing something and getting exactly what you want. And just as you're ready to roll cameras or the TV show, the union says it's time for a break or you're going to pay double time or triple time or what have you. And that used to infu[…]
Maurice Leonard interview 14th October 2013 Maurice Thorogood interviewerJohn Harwood History Unit CameraHow did you get into television?Canadian temp said to him would you like to write scripts for Granada TV. Interviewed by Granada TV go on short list. got job after n[…]
[…]catalogued for a database. all the stock footage feature film outtakes that were held by Movietone now Movietone newsreel library. And they had 35 mm camera negatives of every film made at Denham nad Pinewood from 30s to the 60s. Some of it was tremendous footage you can you get stuff. land scapes i[…]
