[…]ave them all the shots and the plan, which shots they should take. So they the vision mixer pressed, you know, the cues where they should come in the Camera Cuts and changes. And that was great for the orchestra. I show you photographs of that before you go. You know, once again I had the black glas[…]
[…]way, Ryanair saw it and said like we put out the lock and and even with the insulate and so on, you know, inboard and And it was only cut between two cameras because we had a second camera there and the mute Bolex or anything just just cut in between for continuity, but absolutely not a single word […]
[…]y. You know, about boats going up and down the coast. Yes, and carrying tea or marble or whatever they would carry, you know, and I had a documentary cameraman with me, an Indian, and it, I enjoyed that enormously. It was great. RG: You spent how long in India at that time? SE: About four months alt[…]
[…]g, I was taught by all of them a little bit, so yes we did absolutely everything, everybody did everythingRF: But how about the production crews, the camera for example, or sound, were...who provided that?LK: I think mainly we did it, this young chap from the Polish Army film unit, this Peter, I rem[…]
[…]t really explain to people why you are here and why you are here for so long and why we are doing this, you know. It is only like you being the cameraman and you would know what was going on, you had read the script. But, I mean, most of the crew there - and it was that kind of barrier t[…]
[…]what did, what was your, what were your first impressions of the film studio and about the shooting and the other people, cam..., cam..., who was the cameraman for example?Yes, the, well the cameraman was Jack Cardiff. And the, the, no I correct that, Mutz Greenbaum was the sort of big, big chief, J[…]
