Maurice Askew

[…]d per cent post synch picture I think.Jim Shields: Yes.Maurice Askew: It was absolutely every inch post synched because they had those great tri-pack cameras and no blimp!Jim Shields: Oh yes!Maurice Askew: It was like a combine harvester going all the time.Jim Shields: Yes just like... But after May[…]

Anthony Mendleson

[…]till studio. Got the photographs and took them back, and worked out this portrait, which was, I must admit, given full credit, [chuckles] because the camera opened on it and drew back and there it was, and it was the sort of focal point, so it was rather nice. Er, and years and years and years later[…]

John Jeffrey

[…] Colour Film Services; within an hour of the announcement of the King’s death, Hamilton Knight called Technicolor to book all four of the Technicolor cameras in the country to film the new Queen’s coronation; JJ talks about the Freemasons; JJ’s son became a Master in the Navy and then a jet pilot; T[…]

Les Ostinelli

BEHP 0266 T Les Ostinelli Transcript LES OSTINELLI Cameraman/laboratory technician/lab contact man Interviewed by Alan Lawson and Sid Wilson, on 5 November 1992 Copyright BECTU History Project SIDE 1, TAPE 1 Alan Lawson: When and where were you born Les Ostinelli: I was born in London, Euston, 1918,[…]

Diana Morgan

[…]s that a question of the sort of rhythm of the dialogue? DM: Yes. I enjoyed that very much. And I remember so well that wonderful last shot. The camera pulled back, and there were Mervyn and Glynis standing hand in hand with the inn burning behind them. And I was talking to Glynis about it the […]
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