[…] recruiting film, based on the meeting of the home and Mediterranean fleets. And in early 1937 March, I think I went off with the home fleet with two cameramen to film, that side of the manoeuvres, and two more cameramen have been sent out to Malta to join the Mediterranean Fleet to show the other s[…]
[…] in all of Cornelius’s later films, including I Am A Camera (1955), and Next To No Time (1959). Masters worked […]
[…] what did that involve? L.P. Williams : Well, designing new camera cranes and things, for seeing that the things that […]
[…]nment history project and the record number is 808. The recording Gordon would cheer get the right pin outs as we go along on 60 for the seventh 2022 cameraman is there and PerryUnknown Speaker 0:42 interviewee is Martin Sheffield?Unknown Speaker 0:46 Okay, right. Would you l[…]
[…] I had to join the NUJ! I remember going on strike once (I was never very sure why!) and we weren't supported by the E.T.U. or whatever it was or the cameramen or what became BEC2. It was strange. I'd come from a job where you just did anything! There was no restriction. So that was a shock, a cultu[…]
[…]rep school when I was 11, or 12, as well. And I can remember pretending to make films with a waste of a wastepaper box, perched out with a huge great camera, you know, and making my mates behave as though they were on a film session. So I'm curious thing to do. So I must have had a passion for film […]
[…]the whole wall away again, because they hadUnknown Speaker 22:05 to we took them out and we filmed it with stop action with a stop action camera so that when you joined up they actually came out. But the thing that fascinated me about the soundstage at Ealing was the roofing because the […]
[…]l the paperwork, order all the graphics, make sure your prop list was in time, get the script typed worry the producer to produce the details for his camera script sothat that could be done in time to go in the studio, be at rehearsals, time the items in the programmes, work out the clearance for th[…]
[…]ut not very much.Rodney Giesler : Were they more three-dimensional than before?L.P. Williams : Well, yes it became more elaborate you see because the cameras became more mobile and cranes were introduced and dollies and things which they virtually didn't have with silent pictures you see.Rodney Gies[…]
