[…]ight, electricians eight and they 10 down from mo Richardson and a huge truck and they jumped out in tracksuits virtually, I think David Whitson, the cameraman, we looked at each other, and we said, what do we do? What do we do? But they were very kind. And I think I was learning all the time, becau[…]
[…]ind, they're all …. and because we're catering, right? But if I was an outside broadcast engineer, we wouldn't be even having that debate. If I was a cameraman, we wouldn't be having this debate. So either you become a union today and you support us or we will find somewhere else. And I came off the[…]
[…]hrew in the job to go and do that and and I it was advertised. It was this little company called crosswind films, basically an American guy who had a camera and a Nagra, and he had, like, his little 16 mil camera and inaugural, and he had some a few lights, and he set himself up in whopping in a lit[…]
[…]there, to get there and even in the middle of the show… [15:02]This was actually being televised, yes. Well, it was being… Were you on camera? I would have been, had I been round there, but in order to avoid climbing over this thing these blasted, one of these blasted union mania[…]
[…]ust be something is a picture. He said, we'll come and look he showed me the next room where there was a table chair and and a hole in the wall camera box looked up all the flashing lights. And it was obvious that the the only thing that can be seen through the thing was a head anyway. Anyway,[…]
[…]dist, Dallas Bower, how it was and he said fine except the sea was rather too loud, so I moderated it after that. There was an idea of going into the camera department and that didn't work. But I started learning something about editing because Thorold Dickinson was editing films there and I became […]
[…] Movietone now Movietone newsreel library. And they had 35 mm camera negatives of every film made at Denham nad Pinewood […]
[…]donym, and he. He he he knew what he wanted. And so a bit like David Lean, David Lean knew exactly what he wanted, he shot, he edited his film in the camera and Lawrence of Arabia, sorry, Ann Coates, rest in peace. She cut the picture together, but Michael, but David Lean shot it in the camera and e[…]
[…]R: Well, when I started, which was, I think, early August, I can't remember the exact date but the people there were learning as they went along. The cameramen, for example, had been stills cameramen in newspapers I think and various different things and one of them, whose name I remember clearly (I[…]
