[…]dee at Dundee Palace and looking up the road one day out of the theatre and I saw this removal van and on top of the removal van was three legs and a camera on top and it was held by ropes on top of the van and it said on the side of the van, "Scottish Television". And I thought, 'Who is it? It must[…]
[…]officially a public services broadcaster, I think we should still be providing that content to people in Scotland. I2: I'm just going to let the camera cool down for a moment.[23:21] [End of Recording]
[…]d to have an understanding of the techniques of production within the studio so that you would design something that would create enough room for the camera and that kind of thing? R: Absolutely. I: So, it was also an understanding of the process? R: Yes, it was. And, I mean, you lear[…]
[…]t by shot. So for every shot even if it was only a couple of feet long, you’d have to write down a sequence number, shot number, start with …footage, camera angle, composition of shot, close-up, medium close-up, whatever, a description of what was happening for those two feet, and the transcript for[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Martin Spence INTERVIEW SUMMARY 00.00 – […]
[…]catalogued for a database. all the stock footage feature film outtakes that were held by Movietone now Movietone newsreel library. And they had 35 mm camera negatives of every film made at Denham nad Pinewood from 30s to the 60s. Some of it was tremendous footage you can you get stuff. land scapes i[…]
[…]ohnny Goodman: And all that went on and I realised that yet was not my forte. So agitated again and with great benevolence I was finally put into the camera department of Gaumont-British Instructional Films. And it was while I was down at Falmouth doing a little film called Sailors Do Care - it was […]
[…]y! He was both together, that was the magic.Jean Anderson: He was enchantment, he won the hearts of everybody, he was so funny. You couldn’t turn the camera on him, without getting something quite remarkable.John Legard: Can I just interrupt and ask Margaret, how many children did you have to choose[…]
