[…] not Gabriel Pascal, who was there theoretically as the director, but David Lean (who was the technical director), Ronnie Neame (who was the official cameraman, but he was very much involved with the shots with David, and of course they worked together like a piece of beautiful clockwork), and Charl[…]
[…]p; Well not, Jack Dooley, the stills man, was always a bit gritty but I don't think he meant to be I just think he felt you know, being a stills camera man in a movie films [LAUGHTER] ... Roy Fowler 29:40 Yeah, it's true the stills man always has been somewhat a disgr[…]
[…]way, Ryanair saw it and said like we put out the lock and and even with the insulate and so on, you know, inboard and And it was only cut between two cameras because we had a second camera there and the mute Bolex or anything just just cut in between for continuity, but absolutely not a single word […]
[…]t first conference, this is where it’s interesting, Ellen, Tony and I had agreed that we would film it. So we got the gear and we got another friend, camera person, man, with us, and I had to stand up in front of everybody saying Excuse me, do you mind if we film and by the way we’re not all women’?[…]
[…]a very, very bad, name completely different way to keep going until 69. And that wasManny Yospa 19:10 up to 42 rule 14 hours. editing the camera, lighting,Dawn Stanford 19:20 everything with us. And when we had to.We had other crews,Manny Yospa 19:29 camera, freel[…]
[…]ng anything about the story or what it was about and just said 'Well put a few flats here and a few flats there and see what we can do.' The Lighting Cameraman would come and approve and it was all sort of built together between us.R. F. So you had no operating budget for the picture?C. D. Oh no bud[…]
[…] had our orchestra and things like that. Other things beside games, but there's nothing really. The only thing I had was a ciné camera. I had a Pathé Baby, motorised, but, of course, you only got one lens, and very limited. Roy Fowler 6:00 […]
[…]hat was done in a very bright light, so after that I'm not sure what happened to Technicolor but it was a very bright light. Manny Yospa: In the camera you had to have 3 separate films and strip one and that was blue sensitive, one red, and one green sensitive. Geoff Conway: Yes, I think t[…]
