[…] not Gabriel Pascal, who was there theoretically as the director, but David Lean (who was the technical director), Ronnie Neame (who was the official cameraman, but he was very much involved with the shots with David, and of course they worked together like a piece of beautiful clockwork), and Charl[…]
[…]myself before the war,Unknown Speaker 1:26 if you know what I mean.Unknown Speaker 1:29 But anyway, I was apprenticed to be a camera mechanic without any indentures. Of course, family business. Yeah,Unknown Speaker 1:39 it was very good becauseUnknown Speaker &nbs[…]
[…]I think we were both very fond of each other at that stage. And he introduced me, he was a dentist and he introduced me to a patient of his who was a cameraman at Crown.Who, sounds very interesting.Yes. And he actually talked to me about the whole documentary film movement, and this stirred up a gre[…]
[…] He got a job at Welwyn Garden City as a camera operator. He was a very bright lad. And there […]
[…] He got a job at Welwyn Garden City as a camera operator. He was a very bright lad. And there […]
[…]ne of the things that was going on at Bob godfrey's a lot at the time was the filming of traditional animation on this big machine called the rostrum camera. And bulb had one of the few privately owned ones around. It was a very good one, so people used to hire it from them, and they generally have […]
[…] Interview No. 421[Copyright BECTU]Transcription Date: TBCInterview Date: 1997-10-09Interviewer: Alan LawsonInterviewee: John TurnerJOHN TURNER, news cameramanTape 1, Side 1Alan Lawson: First, John, when and where were you born?John Turner: I was born in Hampstead actually, yes, I'm a Londoner I'm g[…]
[…]ts and any other event which happened to take place.Peter Musgrave: What do you think formed or provoked this interest. Were there relatives who used cameras a lot?John Aldred: It's in the family because my grandfather was a great photographer in 1880s and 1890s and going back to that era and he was[…]
[…] in all of Cornelius’s later films, including I Am A Camera (1955), and Next To No Time (1959). Masters worked […]
[…] He used Western Electric equipment at Denham. Worked as sound camera loader? At Denham he was involved in organising the […]
