Joe Mendoza

[…]hat when I got a big wide take over the business, but I sort of got infected with some very early because a friend of mine had a nine half millimetre camera, and I look at all this holiday pictures. And then then eventually, I went to some Paul's School. And they had a wish to have a film show every[…]

Richard Marden

[…]rs as it were from the age of five was the  the total fascination of movies buying amateurCine world hiring movies getting hold of a little Cine camera which I was given when I was about 12 a secondhand one by my parents. Really it was 9.5 I think Pathe Moto camera BAlan Legard  12:38 &nbs[…]

Leonard (Len) Harris

[…]ted me. Do you know he's got, in a way he's got thousands of pounds worth of equipment round there. It's all old and useless, but he gets hold of old cameras and puts them right again, or he's trying to do that. He's got an old Super Parvo Debrie, you know a thousand foot one. He has a Vinten Everes[…]

Fred Tomlin

[…] Bill Salter and I, and picked up the rest of the crew there, who happened to be, there was Les Hammond, he was one of their people, there as a sound camera operator. And there was er - oh I can't remember the mixers' names now, but one left and he went off to - Slim Hand, that was it, Slim Hand. He[…]

David Prosser

[…]onInterviewee: David ProsserTape 1, Side 1Alan Lawson: The copyright of this recording is vested in the ACTT History Project. David Prosser, Newsreel cameraman, later BBC film cameraman. Recorded on the 23rd of the fifth, 1989 at his home in Chandler's Ford, Interviewer Alan Lawson. Side one.[break […]

Dicky Leeman

[…] end of the studio, a twelve/fifteen foot rostrum, with a camera. And he was in the foreground. And the set […]

Manny Yospa

[…] on working relations between different departments - the sound and camera departments for instance, and on the relations between the […]

Fred Tomlin

[…] he was one of their people, there as a sound camera operator. And there was er - oh I can't […]

Peggy Gick

[…]ted to have a chat with your director...trouble is with some of them to get them to communicate.John Legard: And did you have your favourite lighting cameraman to do your work justice as it were? I mean, did you have favourite people then?Peggy Gick: Well I only worked on [such] a lot of small films[…]
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