[…]The following recording is copyright by the ACTT history project. All rights are reserved this is an interview with Erwin Hillier, very distinguished cameraman. It's taking place at ACTT on the first of November, 1988 the interview is by Roy Fowler and Kevin Goff Yates Erwin. Welcome to ACTT act as […]
[…]came in contact with a man called Frank basil. Now that was the Frank Brown, the Frank bevel on the lawn remember, I think of ICT he was the newsreel cameraman, and this was his son. And at Frank Basil's PLOS, we had old padley wooden pathi cameras, and a mass of memorabilia from the war. And from h[…]
[…] fun. And so, I suppose, I stayed at Pathé 2 years, 2 ? years, perhaps a bit longer, in Wardour Street. Enjoyed it. Got to know the cameramen. Got to know the film editors. And really liked the news aspects of the business. Film industry wasn’t of great interest t[…]
[…] all about that or if you were on the sound camera you were tucked away in another room. The only […]
[…] he’d done quite a lot of television. I think mainly as an assistant, I don’t think he was a director.Daphne Shadwell DRAFT Page 53He was a cameraman, at WCAU in Philadelphia.DS: Was he? Was he? I never knew that. But I mean he was full of good ideas and of course they immediately put him […]
[…]nbsp; The date is the fourth is the fourth of September 1991. We're at ACTT. And the interview is with a very distinguished, originally lighting cameraman and our producer, director, Ronald Neame. Ronald, let's start at the very beginning, you had a parentage that was very active in the film in[…]
[…]jector?
I guess it was, yes. Yes, it was a fair...
Yes, it was the most usual I think in those days.
Yes. Yah. And then my father had a 16mm camera that, he used to take photographs of us as kids.
Mhm.
Which I still have. And...
Will they surface at the BAFTA [inaudible]? [laughs]
[…]
[…] the film,making the film, was Nine Days A Queen and of course it was in the very early days ofsound. There was a sound booth on castors, there was a camera booth with glass windowsso everything had to., there were no tracking shots or panning shots of course. Thepanning shots were within the limits[…]
[…]s vested in the BECTU History Project. Time Code 00:00:00:00 to 00:45:46:00Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and interview laws on this recording is the copyright of this recording is vested in the ACTT history project. Side one. Ozzy.SPEAKER: M3 […]
[…]e.malden@btinternet.com.Alan Lawson 0:05 The copyright of this recording is vested in the back to history project. Jerry Fisher, lighting camera man, interviewers, Adam Lawson, with Sid Wilson, recorded on the 19th of October 1993. side one first and foremost, when and where were you bor[…]
