Search Results for: Camera Operator

[…] that, so D. P. Field now needed a new sound camera operator. So anyway John Aldred was given the job of […]

[…]ovies. I started as a sound recordingengineer.Roy Fowler: What - is there anything in between? I've got that you went to Nettlefold in 1929 as a camera assistant, what had you done...?Vernon Sewell: I was an engineer!Roy Fowler: An engineer, that's what you'd studied?Vernon Sewell:&nb[…]

[…]hat when I got a big wide take over the business, but I sort of got infected with some very early because a friend of mine had a nine half millimetre camera, and I look at all this holiday pictures. And then then eventually, I went to some Paul's School. And they had a wish to have a film show every[…]

[…]ts and any other event which happened to take place.Peter Musgrave: What do you think formed or provoked this interest. Were there relatives who used cameras a lot?John Aldred: It's in the family because my grandfather was a great photographer in 1880s and 1890s and going back to that era and he was[…]

[…]p;but he was the man who left Technicolor to give them some competition. Before the war we only had four cameras, I think that's worth mentioning, fourcameras, which weren't very much demand at first, but as colour began to catch onwere ver[…]

[…] that, so D. P. Field now needed a new sound camera operator. So anyway John Aldred was given the job of […]

[…]hearsay, I knew nothing about Pinewood!" "Well" he said, "you've got to go off to the Great Central in London, you and about ninety-nine others, on a cameraman's course." This is how Pinewood got me. A cameraman's course was a War Office posting. Your regiment could have no say in the matter. So any[…]

[…]elf into that job became an assistant to the tech. Like we can't think of his Christian name, but his surname was Harris, ron ron Harris, who was the camera man. And Freddie White, who was the stills photographer in charge of that unit. There's a bit of a connotation there. Just quickly, very aggres[…]

[…]ormanville  7:19  later, we got together Don Lobos live with me, commonly in Whipsnade. Anyway, I went down to Shell applied for a job as a camera assistany at three pounds five a week. Believing in fact that it was essential to learn the camera side that I wanted to be a director eventual[…]

[…] end of the studio, a twelve/fifteen foot rostrum, with a camera. And he was in the foreground. And the set […]