[…]ation that was related to the scenes that they were doing, if there was anything wrong, we would promote the fact that “There’s a hair in the gate on camera 4 on that shoot with the 5 cameras”, “That one there doesn’t look good” or “There’s an issue with your lighting” you know. I think it was First[…]
[…]Leeman: We had Ivor Moreton, who was one of Harry's pianists, was up on a big rostrum at one end of the studio, a twelve/fifteen foot rostrum, with a camera. And he was in the foreground. And the set was a piano, and the top of the piano and the keyboard. And Harry and the girls were dancing on the […]
[…]d the other was the day that they had been married, or engaged, or something. And all the photographs had been taken with him staring straight at the camera (like that), so, just like The Laughing Cavalier wherever you were in the room, Mr Walrus was looking at you! I always remember feeling slightl[…]
[…] photographs had been taken with him staring straight at the camera (like that), so, just like The Laughing Cavalier wherever […]
[…]ore his hobby of photography was the most important thing in his life was actually more important to him than his work and because he was always with cameras and always in his darkroom and always concerned with film that rubbed off onto me I was the youngest of three children the youngest by quite a[…]
[…]However, I managed to land a job in Mega assembly at technicolour and it was on a shift basis in 1946 mega assembly and technically I applied for the camera department, Frank bush interviewed me and said I'm sorry we have no vacancies. But we I will pass you to Dr. linsay, who was a very learned col[…]
[…] didn't really care. It. Bunny Frankie who became the established camera operator. In Demham during the war years when I was […]
[…]d for two years did all the various crafts within the laboratory, neg developing, printing, step printing, optical printing, finally ending up in the camera department where we did pack shots and titling. I got interested in camera work and wanted to go to live action. I joined Film Producers Guild […]
[…]which Spike to this day still does. Now, Spike’s difficulty is, it's an insecurity in what he's written, so like his Q series you know, you've done a camera run through, yeah, he still wants to, he pulls out another… idea, he wants to rewrite it on the spot, which is different props, different scene[…]
[…]ne of the things that was going on at Bob godfrey's a lot at the time was the filming of traditional animation on this big machine called the rostrum camera. And bulb had one of the few privately owned ones around. It was a very good one, so people used to hire it from them, and they generally have […]
