Search Results for: Camera Operator

[…] photography. Sidney Cole: You mean, how many turns of the camera? Tilly Day: Yes, how many to count back. Because […]

[…]ly needed to go and earn some money so I had to leave. Got as many part-time jobs as I could and, eventually, saw in the Glasgow Herald an advert for Camera Assistant in the Educational Television Service. But it was coming up in eighteen months time. The same advert was also looking for Lab Assista[…]

[…] rough workplace [???] I rebuilt, rebuilt that and fit it with better equipment, which did a lot of [???] ​Q:​Were you actually working with the camera? 00:07:30​ADOLPH:​Yeah, with the, you were doing everything really. [???], [???], camera, you develop your [???], print it and all, do wha[…]

[…]view: 6 March 1987 Interview length (mins): 1.25[WA note: There might be a second interview with Eric Cross] Arthur Graham: Eric Cross, Lighting Cameraman. Eric where were you born and when?Eric Cross: Finchley, 31 May 1902.Arthur Graham: What kind of schooling did you receive?Eric Cross: Prett[…]

[…] well he went on to be one of Lean’s cameramen, camera operator, and he was at Bafta that night too? CB: […]

[…]a, you have been interviewed a great deal as an actress, so maybe rather than repeating your view of how things worked in the studios and some of the camera people and the technicians directors you worked with. CB: YesI: your memories of that timeCB: RightI: I don’t know if you’ve covered them previ[…]

[…]el, and one or two others, started making films.Unknown Speaker  3:18  They usedUnknown Speaker  3:20  topical press agency had a camera man andUnknown Speaker  3:26  a rather good man called Mr. Oliver. We never knew his first name,Unknown Speaker  3:32  and […]

[…]ifferent from today so just give us an idea of, you know, Studio set-ups then compared to now, the News Gathering set-up then as compared to now, the camera set-up. Just give us a flavour as to where we were technologically at that time. R: Well, the thing that struck me when I came from the BB[…]

[…]– I don’t know if you are interviewing him – but he will extrapolate on how film is supposed to move a little bit, you know, in the projector, in the camera: if it’s absolutely rock-steady you should be suspicious. It’s not going to be like the original. Digital restoration loses that patina very of[…]