[…]nd we started to band call it, and we got all that done. Then they went on rehearsing and I thought it's alright, I know where I am, I know where the cameras are going to be. And eventually the lead violinist came and said to me, can I have a word with you. I said certainly. He said unless20you move[…]
[…] hand feed him. I would draw up a little tiny camera plan of the sets for him so he knew […]
[…] were a damn nuisance! [Laughs.] John Legard: I remember a camera operator we had at Crown and whom I got to […]
[…]d outside broadcast because out in the big city suited me fine then. I: I can understand that. R: But it was changed days there, I mean the cameras took ages to line up and whether it was worth bothering lining them up sometimes and you would try it with a test card that was sort of maybe […]
[…] Rupert used to, in fact Rupert Davies who played Maigret used to rely on me to because I used to really hand feed him. I would draw up a little tiny camera plan of the sets for him so he knew where he was going in the, in the actual studio.He wasn’t very hot on the lines I believe?No, he wasn’t, [L[…]
[…]ted to have a chat with your director...trouble is with some of them to get them to communicate.John Legard: And did you have your favourite lighting cameraman to do your work justice as it were? I mean, did you have favourite people then?Peggy Gick: Well I only worked on [such] a lot of small films[…]
[…]ing and is treating the assistant very very rough. That was fat Colin I can't remember his other name now. You probably know there's no quite eminent camera man. I'll think of him soon. But he was the only one who was totally impervious to Tubby's cutting edge didn't get all there and Ken can he cut[…]
[…]o get a job in the industry. I mean I'd done a bit of work with John. I can't remember his name now who was of sound record was actually working as a cameraman then. We did a film for children down the East End but that was not much fun because I was the man holding the little wire with a rabbit on […]
[…]nterrupted by breaks in the tape. It is unclear whether this is the due to censorship or to the recording being paused on site.)Desmond Dickinson (DD)Camera, DirectorBECTU No. 111Interviewers: Ralph Bond (1963) (RB), Kevin Brownlow (1972) (KB)05/07/1963 and 30/07/19723 Tapes Interview with Ralp[…]
