sidney-cole-transcript-1987

[…] after that. There was an idea of going into the camera department and that didn't work. But I started learning […]

Agnes Wilkie

[…]ly Record doing Showbiz and Brian Burnett doing various bits and pieces. And these people were so amazing to work with along with all the Editors and camera people that I then got to know properly because we were doing more in-depth, longer form items and it very, very quickly became clear to me how[…]

Interview

[…]t done before. There was two editors. I think Mike Arrington was one myself. And yeah, it was it was a nice studio laevis Yeah, Arthur Lavers was the cameraman if I remember right. And anyway, we did that for a while and a friend of mine, Spencer Reeve, he called me and he said, Oh, he said, I'm doi[…]

Ann Meo

[…]there, to get there and even in the middle of the show… [15:02]This was actually being televised, yes. Well, it was being… Were you on camera? I would have been, had I been round there, but in order to avoid climbing over this thing these blasted, one of these blasted union mania[…]

Cedric Dawe

[…]ng anything about the story or what it was about and just said 'Well put a few flats here and a few flats there and see what we can do.' The Lighting Cameraman would come and approve and it was all sort of built together between us.R. F. So you had no operating budget for the picture?C. D. Oh no bud[…]

Cynthia Moody

[…]nbsp;                   Kay Mander, Rod Baxter. A cameraman...                       […]

Jack Rockett

[…] faith with the Press of course because they are our bread and butter very much. But I wouldn't allow anybody in, I said, "Yes you can go in but your camera must stay outside." I wouldn't allow anybody in with a camera. And so when the show was finished and coming out, they then whipped the people u[…]
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