[…] medium: every image which Michael and his colleagues captured, every camera movement, every zoom-in and pull-out, was broadcast to the […]
[…]t 5.30! I got out of my A40, hopped into the studio, and virtually was on the air within about 20 minutes. And it was a tiny, tiny studio with 2 cameras, and only one cameraman. And it was he who sprinted from one camera to the other. Of course what he did was to lock off one and operate the ot[…]
[…]interestingly enough, I’d applied for it that ticket, ACCT that’s right, as it was in those days. And I got all of the smart people like the lighting cameraman to sign my form and I got rejected immediately of course. The second time I got all the lower people… who was the one union bloke that used […]
[…]ight, electricians eight and they 10 down from mo Richardson and a huge truck and they jumped out in tracksuits virtually, I think David Whitson, the cameraman, we looked at each other, and we said, what do we do? What do we do? But they were very kind. And I think I was learning all the time, becau[…]
[…]last one? Would he would he fail? and this was talked about the whole time. And it was fantastic. At the same time, you had some of the most talented cameramen in the country, particularly the Willard mighty and Ken Morgan, who lit looking Hitler. And they would be, you know, one day working on Liku[…]
[…] same day it was very much like going back to college and David Graham said: ‘You can do what ever job you want to do. Downstairs there are two video cameras; sound’ obviously the editors had to be editors but he said: ‘basically if you think you can produce straight away then I’m interested.’ And I[…]
David Croft Side 1Camera 0:03 Yeah, carry on. When we've done a few questions. I'll just do a check replay check .Darrol Blake 0:09 Oh, yes, please. Good idea. Okay, Yeah. You are rolling? Yeah. Okay. The copyright of this recording is vested in the BECTU […]