[…]fessed that they took my shoes off. So survey revealed. Anyway, at the university, I met Michael on who has a I think it was a Catholic School of 9.5 cameras, a woman's pocket holes in the middle. And I got it was very, very vague. But I thought I remember hitchhiking all the way to Bristol, to see […]
[…]making tea and things like that, to load the magazines with film. It was Western Electric system. They were Mitchell magazines just as we used on the camera. But as it was positive stock it was used for sound recording at least we could have a red light in the darkroom so it was not quite such an or[…]
[…] photographed play. A wealth of talent: the sets by Oliver Messel and John Byron, not John Box I was going to say John Box.Rodney Giesler:Who was the cameraman?Roy Fowler:Freddy Young primarily. A lot of people worked on it because it was so long in shooting and I remember Jack Cardiff be[…]
[…]isher: Yes, well we had a sound unit of two, there was a recordist plus me.Roy Fowler: Who was the recordist?Norman Fisher: Ted Pauly. And we had two cameramen on the staff called Jonah Jones and Chick Fowle and we had a studio carpenter-come- handyman and everything else, so you could say we had, o[…]
[…] a problem because we couldn't run to a proper studio camera, we had a Debrie inside a home made blimp, […]
[…]myself before the war,Unknown Speaker 1:26 if you know what I mean.Unknown Speaker 1:29 But anyway, I was apprenticed to be a camera mechanic without any indentures. Of course, family business. Yeah,Unknown Speaker 1:39 it was very good becauseUnknown Speaker &nbs[…]
[…]se, yes. I: OK. So it was the sound, the audio bit? R: Yes, that was radio. Yes, Radio Hairmyres 'cause obviously, at that time, no one had cameras. They might've had stills cameras but no one had video cameras so sound would be something that would be very easy or easier to get into. […]
[…] the back door, we're calling her little boy and have tea. And I thought, well, now we shoot the mother at the back door, then you've got to turn the camera around, I suppose and shoot the little boy. But then when she answers him, you've got to turn the camera around and do it again. And I could ne[…]
[…] the actual business of laboratory, but were sort of trainee people. One was Ian grant. No, wasn't Ian grant, somebody Grant, who eventually became a camera man. Another one was Ian squire, J squire son, all of him later, because I did gigs with him, because he put me into the Oh God. He put me into[…]
[…] know you're more interested in what goes on behind the camera rather than in front," she said, "all these technical […]
