[…]nd the lighting because of the the finesse of blending those two systems, incandescent arts. And this is I found fascinating when I became a lighting camera. I followed that too, same as I started Rembrandt was always to me, the inspiration his compositions, the v shape and the lighting V shape. And[…]
[…]0 thoughts my jam 400 foot because at that time we were using 400 foot to breeze and also we had near one thing clear. The main camera was a Cinnabon camera. That was a German nine rather. It was checkers. Very good. It was self blunt. And because in those days too, I mean you tried to look through […]
[…]ave the gomont Eclipse projectors.Roy Fowler 2:51 Well, no, is it still a single system? Or it's still a single system? It was a specific camera. I wondered if there were a separate sound. I haveSpeaker 1 3:01 nothing whatever to do. When I joined British acoustic, I had noth[…]
[…]bly put our three hundred pounds as a down payment on a camera, which would cost about eight hundred pounds”. And that’s what we did and that was the camera.And Bob Hill and er no Ted Hill, and Bob Hume of Newman Sinclair they said “Well alright if you pay off the five hundred pounds in a year at te[…]
[…]ed. And on location during the process of filming we would invite them to take part in the discussions with the, with the individuals in front of the camera. They would be behind the camera or the recorder, but they could ask questions, they could intervene in the thing and say, "Look, you're not ma[…]
[…]ddings and things. But he didn't much he was mostly still in the studio, Roy Fowler 18:48 It must have been a bloody great camera. Ronald Neame 18:50 It was a great camera. And when I there was there came a time, but we'd have to jump ahead for t[…]
[…]ing on?" Really, we evolved anew system. And, of course, the extra mobility of the 16 mm camera - its lightness - even thenthat was large for a 16 mm camera. It was probably a foot square.A Oh yes, and you had your sound man and he was attached to you by a piece of wire or acable and he sort of trun[…]
[…]t this. When I started in a fashion studio, your you had a large rubber bulb on the end of a long piece of rubber tubing and a very large 10 by eight camera. And you took the bulb in your right hand and you squeezed it. And when you thought it had enough exposure, you let go the rather bulb. And by […]
[…] David Sharp in 2019. The numbers in square brackets are timecodes. [Filming began outside]Interviewer: Jimmie King. David Woodward on camera.[TAPE 1] Jimmie King [JK]: If you’d like to introduce yourself Bob.Bob Jordan [BJ]: Good morning. My name's Robert Jordan. Today is the 20[…]
[…]get the coal out. And the director, I think it was Francis gas, and said, well, wouldn't it be a lovely shot if you had this thing coming towards the camera. So they drilled the hole, they put me into the hole and with the camera and started up. One doesn't think that there is danger when you when y[…]
