[…]you balance that against one which is cheaper.Stephen Peet: On your list of credits there is one production you haven't mentioned, The Walrus and the Carpenter.Jimmy Gilbert: That was Hugh Griffiths and written by Marty Feldman and Barry took. It was a series, it was quite lovely series, it was Mart[…]
[…]nbsp;or two innovations. The front was useableas the exterior of the Dorchester. The carpenter's shop had a classical collonade at the end and downthe side of the carpenter's shop there was a street&n[…]
[…]nbsp;because the studios then had a very good apprenticeship scheme for craft grades carpenters plasterers and painters. Very good apprenticeship scheme scheme five years going&nbs[…]
[…]lan Lawson: Only the big stage, that had been soundproofed. The silent version of Devil's Maze and High Treason, I think it was Julian Wylie's master carpenter did the sound proofing of the big stage. The small stage, the glass studio was still a glass studio when I left. We used to shoot in there a[…]
[…] High Tre ason, I think it was Julian Wylie's master carpenter did the sound proofing of the big stage. The […]
[…] set on it and then it will rock naturally, if we control it." Harry thought that was a brilliant idea. And we had two wonderful, wonderful craftsmen carpenters, the Jacobs brothers. And these two men built this... half ball... as it were, and built the set on it. Absolutely wonderful! And Bunny Oni[…]
[…]here was NATKE, the other Union, but they they got overtime as well but all the technicians weren’t getting as much money as the electricians and the carpenters and people right? So, we decided something had to be done and we kept pushing and pushing Cope and everybody. Nothing happened.[…]
[…] the making of a film as much to the head carpenter, Harry Tupper, the master carpenter... John Legard: It comes […]
