[…]a dinosaur film we made for Warner Brothers and we know it's going to be awful and that was the oh animal world animal. Forgive me. Yes. They started casting them and they looked a little rubbery to me but it certainly saved a lot of time. You didn't have anything to do with those though Dino Obi de[…]
[…]sed what I really wanted to do. I appeared in Richard III, with Emily Williams, which was directed by Tyrone Guthrie, who I think is one of the great directors of British theatre. He was tall and very beaky nose, and he er…used to rise up in the stalls and suddenly there’d be this giant telling me ([…]
[…]I said before said there were no people around then and to have a train to day dubbing mixer. We were a rare beast you could find plenty of assistant directors running around the floor getting the team. So so he said to me Well why don't you want your loved punch get back into production. So I thoug[…]
[…]I had no film, I mean, I embroidered it, but basically it’s what he’d written is on the screen. It was there, I mean, I was certainly involved in the casting … you know, I’d do the director’s job, but he had done the major job on it, the writer - we’d all be floundering around, the actors, myself, e[…]
[…]Kay ManderTape 1, Side 1 Sidney Cole: The copyright of this recording is vested in the ACTT History Project. Kay Mander, continuity, documentary director. Interviewer Sid Cole, recorded on the 29th of September 1988, Side one.Sidney Cole: Tell me about when you were born, and your childhoodKay […]
[…]ew amalgamated company went sick and I was posted up to Hanover Square to stand in for him. And I went into David Henley's department - went into the casting department... Roy Fowler: Oh well let's take these steps one by one. There is - what - a kind of centralised view of the Rank Organisatio[…]
[…]ospital. And it was I think, just about the time that they moved into that that I joined them, I persuaded them to give me a job as a as an assistant director. Because I I'm, I don't think I've worked for them at all before that. It was when they started at Cleveland street that I went to work for t[…]
[…]se days hug each other today, people like Ossie Morris, Ronnie Neame, Carmen Dillon and John Cox was head of sound there, Roy Kellino, cameraman, the directors were Al Parker who afterwards became an agent and Alex Bryce, a Scotch director. I was still in my digs but we used to be able to have wonde[…]
[…] I went into David Henley's department - went into the casting department... Roy Fowler: Oh well let's take these steps […]
