[…]on't think so much the king, but he was there. He was very fortunate. They made it. We made the guns in the pattern shop, and the front section was a casting and it was loaded in the muzzle, and they wanted to demonstrate it to the king, and the king said, I've seen and heard. Have enough gunfire, w[…]
[…] there. While I was up there, they also had the Oxford Film Unit. And we made a film and I was the editor. I was meant to be the assistant director, but unfortunately I did something to my finger and was in bed while they were shooting. But it was called the Legend of Godstow. […]
[…] Lee who was directing films in those days.SC: He was directing at BIP [British International Pictures] and places.RP: Yes, he was quite a well-known director. He was making a film at Riverside and so I went there as a runner, generally seeing what it was all about. There was a picture being made&nb[…]
[…] and then the BBC Director General and people interfered in casting. Because I’d originally I think managed to get – […]
[…]s think of it being the relationship with the cinematographer and the choices they make. So I guess there was probably a very few cinematographers or directors that could actually go out and say “No, this is what I’m doing” or…BP: Yeah. You had to be someone pretty important to be able to specify. I[…]
[…]er is Janet McBain, Date of Recording 14 07 2018] [Start of Recording] [00:00]I: This is an interview with Sandy Ross for the Scottish Broadcasting Heritage Group's Oral History project. The interviewer is Janet McBain, the date is 14th July 2018 and the place is the STV's studio in Glasgo[…]
[…] all you had to do, say for instance you were casting cornices, you didn't have to but it was a […]
[…] Now the picture is all set up. He done the casting of course. He'd been working on the script we're […]
