[…]t I’m not normally, I like a challenge I’m the sort of person that says, ooh new script how lovely.I: How did things come to you, did things come via casting departments or producers or directors?JK: Producer as a rule. I don’t really know, I’m awful aren’t II: No you were concerned about the work, […]
Copyright it is vested in the BECTU History ProjectMonty Berman, lighting cameraman, director and producer. Interviewer Alan Lawson.Recorded on 2 I June 1995.SIDE 1, TAPE 1Alan Lawson: Where and when were you bornMonty Berman: I was born on August 16th, 1913 in WhitechapelAlan Lawson: And schoolingM[…]
[…]a lot of how to do things, and also a lot of things, how not to do. I mean, it was a funny mixture. But he was a brilliant producer, and an Associate Director radio. But a translator was the first one I made every transplants case, which was wells appeared in the omad, which was quite an experience.[…]
[…]people available to do it. Sound recording was Harold King and he went on to great things.BA: He became head of Sound at ABPC Studios.BE: And the art director was Holmes Paul. He was an older sort of art director, very very nice man. One of the few then who then had a beard and so he was rather dist[…]
[…] to build a kind of bridgehead of an Equality bridgehead because there right across the union from the labs to the film industry, television and broadcasting, allROY LOCKETT 10of that which the union hadn’t done before, a kind of champion of it inside the union really.Equality?Equality. Yes, eq[…]
