[…]'re always expected people to bring things to him as well okay them then he would just watch the rushes. We've always liked to be interested in major casting otherwise they freakUnknown Speaker 21:10 you out the me though. I was going on right right. Yeah the producer was like let them g[…]
[…] on Carmen Dillon, who made her name as an Art Director during the War. But I also highlighted editing as […]
Ron Seeth - Transcript [Start of Recording] [00:00] I: This is an interview with Ron Seeth for the Scottish Broadcasting Heritage Group's Oral History project. The interviewer is Janet McBain and the date is 13 May 2017. Ron, let's start with when and where you were brought up. When w[…]
[…]being - but Sam was great! I: OK. So, I've just got to start with a head thing. So, this is an interview with Judy Ritchie for the Scottish Broadcasting Heritage Group's Oral History project. The interviewer is Janet McBain, the date is 15th July [2018] and the place is the STV Studios in Glasg[…]
[…]est Lindgren, Curator of the NFA – MW: That’s the National Film Archive. RS: That’s the National Film Archive.- and my ultimate bosses, the Director and Deputy Director at the IWM. So we ended up going it alone. We developed a computer system called Apparat, which ran on what is known in t[…]
[…] know where they are now, going back toSpeaker 1 10:48 the film artists Association. And when did it? When did that get formed out of the casting agency?Speaker 2 10:53 Yes. Now I don't know the, I can't remember that, Mr. But you were around atSpeaker 1 10:58 tha[…]
[…] thought we’d found our cowboy. We tested him and the casting director said you must see John Voight. We said we’ve […]
