[…] to university. I started in the businessAlan Lawson: How comeMonty Berman: Because I had an uncle who was in the business and I was very keen on the cinema and he got me ajob at Twickenham Film Studios as it was then with Julius HagenAlan Lawson: In what departmentMonty Berman: In the camera depart[…]
[…]e time. But this this film, in 20 minutes, put the whole Glaxo work. And when you think there's this word, music, pictures, and the atmosphere of the cinema, there's nothing like it. Yeah, I mean, whether it's on video of film of old train video or films, incidental trying, but you have work which i[…]
[…]s getting near 17, 16½, 17, I heard jazz on the radio, Louis Armstrong and things, and this was a revelation to me. And also my early culture was the cinema. It really was the cinema. I didn't go to the theatre, I knew nothing about the poets or Shakespeare, they had been mentioned in my school vagu[…]
[…] 4:29 the cameraman.Unknown Speaker 4:30 Cameraman was Claude free screen.Unknown Speaker 4:36 He was, he was the cinematographerUnknown Speaker 4:40 and the operatorUnknown Speaker 4:42 also got to know very well Ronald lean,Unknown Speake[…]
[…]5:08 distribution, because we set up a big railway, wide non theatrical distribution network withUnknown Speaker 15:18 two or three cinema coaches andUnknown Speaker 15:24 a railborne vehicle which contained the elements of 35 millimeter projection, which could be set u[…]
Freddie Young (FY) CinematographerBECTU No.4Interviewers: Alan Lawson (AL), Roy Fowler (RF)Date 01/04/1987 and 14/08/19875 Tapes(The second interviews covers similar ground as the first – at the start of the second AL mentions technical issues with the first interview)01/04/1987Side 100:00:00 –[…]
