[…]s NATKE? NATKE was really just [Pause] was very, very old, it was kind of an old craft union is what it was. You see they organisedthe staffs in cinemas and organisedstaffing in theatres really and they organisedcraftsmen in television and film so that it was very much a craft union i[…]
[…]way? Yes.Speaker 2 3:19 Well, I think in those days, everybody went to the pitches with Doreen, she, she was I mean, we used to go to the cinema a lot. And, you know, just liked it seemed, seemed a good idea. So my father actually did get me a job in an office. And when I first left scho[…]
[…]ember. Well, yes. Well, first of all there’s, I wonder if you were disappointed at the lack of commitment on the part of the union for the Cinema Centennial Project, 1995-1996. It doesn’t seem to have got anywhere as far as the union was concerned. No, I think that’s true. […]
[…]ce at that time. Well you continued to nip about!PM: Yeah, well that period – also because the film industry was in a bad state – ACT [Association of Cinematograph Technicians – the trade union. DS] allowed you to move between departments. A kind of distant cousin of mine, Peter Hunt was…DB: An edit[…]
[…]putting the books have some different stories and the more sort of tenuous links that seized or links or whatever but if you wait here for a film for cinema you need some something different.SPEAKER: M1Yeah yeah. The whole thing is you know and they have they've been having trouble with this room. I[…]
[…] working class family; born Uxbridge. Father cabinet maker; family originally from East End.00:02:49 Schooling: war disturbed education.00:05:27 avid cinema goer; often three times a week00:06:27 Career aspiration: wanted to go into films; left school aged 14; no vacancies at Denham Studios but inte[…]
[…]ere that they would get thrown out. But this came, this film came up fairly early, I think, in the setting up of once a month, short documentaries in cinemas. Mary Orrom 15:27 So the cinemas were actually obliged to show these between their first and second features.[…]
[…]sp;55In her birth pain.That’s right, yes. But it didn’t matter because that was him, absolutely classic.And yet Branagh exhibited a certain amount of cinematic style. At the opening of HenryV, Oh! For a Muse of Fire.Yes.And then when he goes to ‘a kingdom for a stage’, on come the studio l[…]
