[…]ry naive way. And if I hadn’t have done that I wouldn’t have got them all in one picture. And in this book I did the editors, art directors and cinematographers and special effects. And Johnny who was a man who did special effects.AP: Johnny Richardson?00.13.01CL I could only get about e[…]
The copyright of this interview lies with the \british Entertainment History Project Peter Scott – My name is Peter Graham Scott. I was born in 1923, er…October the 27th. In East Sheen, which is near Putney, and near Richmond. My mother and father were living – they’d just got married; well the[…]
BECTU History Project Interview with ROY FOWLER – producer, director, writerInterview Date(s):13 June 2000Interview number:479Interviewers: Rodney Giesler Side 1Rodney Giesler:This is an interview with Roy Fowler recorded by Rodney Giesler on the 13 June 2000 for the BECTU oral history arc[…]
[…] a designer and study art hanging in galleries; British watercolours are important for exteriors and skies.00:41:35 – 00:45:45 JB’s relationship with cinematographers.[END]
[…]volved, because of other members of the other members of the Potters Bar Cine Society, I got involved with the IAC, which is the Institute of Amateur Cinematographers, who among other things run a yearly international competition for the Daily Mail Award, and you get films and videos nowadays from a[…]
[…]ough Christine who you met downstairs. She's a vey keen member of Potter's bar, cine society. And she's actually a fellow at the Institute of Amateur Cinematographers or something anyway. And so she keeps in touch with amateur world and she does a lot of work with amateurs, and she's a judge on many[…]
[…]a is today. What year was that? 1926 19. And I actually did a programme once the cinema the you know, the festival did our kinda festival the British cinematographers and I ran some films there. And I found myself standing on this stage and thinking about stuff. You know, I was born almost where I'm[…]
[…]t demonstrations as well. Right. And he kept all that stuff. And Michael saw himself I think, from the very beginning as a film, first, I would say a cinematographer, or director, as a film that has been his his life, his consciousness of itself is that he's, he knows about other things. But his loy[…]
