[…] 4:29 the cameraman.Unknown Speaker 4:30 Cameraman was Claude free screen.Unknown Speaker 4:36 He was, he was the cinematographerUnknown Speaker 4:40 and the operatorUnknown Speaker 4:42 also got to know very well Ronald lean,Unknown Speake[…]
[…]working with?CF: Yes, the issues really were that the Kodak work I was doing was the formulation or creation of film emulsions and product to sell to cinematographers for printing or whatever they were doing at the time. There were certainly some cinematographers, and the laboratory was the other en[…]
[…]lance really. It’s quite an interesting subject really.PF: Yes because we’ve heard from other interviewees who talked about the relationship with the cinematographers and how sometimes the cinematographers were shown the new stock and they discussed with them what it was they actually wanted out of […]
[…]hich I think was why we were so successful in the motion picture industry. We really got to know the customers very well especially, for example, the cinematographers, the people who operate the cameras, and listening to what quality improvements they wanted from the films, and we would build that i[…]
Freddie Young (FY) CinematographerBECTU No.4Interviewers: Alan Lawson (AL), Roy Fowler (RF)Date 01/04/1987 and 14/08/19875 Tapes(The second interviews covers similar ground as the first – at the start of the second AL mentions technical issues with the first interview)01/04/1987Side 100:00:00 –[…]
[…]wasn’t faded so we kind of used that as a reference to match the colour. Another reason we did that is because we knew that Nicholas Roeg, he was the cinematographer, we figured that he probably approved the IB Technicolor prints whereas maybe the Eastmancolor prints, if we had any, we didn’t think […]
[…]ck to the original look of the film. What instances have you been involved where it might have been something else or perhaps you’ve had the original cinematographers, or crew involved with the productions, who’ve had their own say on what that original ‘look’ should be?SL: Sure, I mean we… when we […]
[…] a lot of documentaries that really what Isee as the cinematographer's role is the visualisation of a story, whether it's […]
[…]nd those students, their first year students now but in a year's time, there'll be out in the big wide world. And a lot of there will be going out as cinematographers really was. They they don't take the traditional route, although some of them have been assistants, and they've been Chinese and so o[…]
